Favorite Teachers
Here are some
of the teachers who taught me the
most. Since I teach too
nowadays, these are the people I try to emulate.
Eric Perlberg, International School
of Basel
When
I met Eric Perlberg in grades 7-8, he seemed to me something of a
wandering sage. He was from New York, was apparently single,
kept
a beard, and a small apartment in downtown Basel. Each
of
these was completelty new to me in a teacher. Perlburg also
played the guitar and was learning to draw.
I
wish I could say that I was respectful to the sage from Woodstock,
but
at that time I was overly resistant to any assertion of
authority. For example, Perlberg believed we should do
homework
every evening, if only a little. I objected to this. To his
credit, Perlberg actually agreed with my arguments, and let me off
homework, so long as I agreed to sit and watch the sun set.
As
a teacher Perlburg's main deal was this kind of immense respect
and
interest for things - especially art and history in my memory.
Every
week he'd take us to the Kunstmuseum (Art Museum) in Basel.
We'd
go to one or two rooms and just look at the paintings really
carefully.
Kevin O'Connor
Kevin
was our science and computer science teacher at ASE 2, and more
than
anything else, he made us all dream of being scientists. It
was
hard to imagine a higher calling in his class. To be a
scientist
was something like joining an order, and for some reason
Kevin inspired an ambition that soared way beyond the classroom.
Kevin
had his faults. I can remember him breaking a hockey
stick
after losing a game, which probably isn't in the teacher's
manual. But middling or forgettable, he never was.
Raja
says of Kevin that he was capable of encouraging us to learn stuff
that
he didn't necessarily understand himself. That was
true: learning that went past his curriculum was what he
liked
best.
Liz Dixon
Liz
Dixon was our English and Creative Writing teacher at ASE 2.
She scared me sometimes. She scared all of us. But
more
than anything else she really made us write.
Liz
really believed in writing and acting as an expression of the
soul. And
as unlikely as it may sound she believed that each of us students
possessed an innate capability to tap into a genius -- and that
the
only problem was getting at it, opening up to what lay there.
All
this said, as a teacher, and as everyone knew, she wasn't exactly
perfect. Grades were somewhat random; the curriculum was
unspecified at best; her classes were something of a wandering
mystery. But when you look back, does that
matter? Not at all, not at all.
Egusa-sensei
I
met Egusa in Taiwan in the 1980s, where he was a visiting
professor. While outwardly serious looking, I knew
something was up when he rescued us from a boring family dinners to sneak off
and play arcade games.
While
I only saw him about five times in my life, he was from the first
moment a guide and teacher of how life ought be led.
Egusa's main deal was that he took rapturous joy in
everything he
did, even things that might seem normal to anyone else.
Once, for instance, we had cold chicken and beer on a beach
in
Kamakura, and Egusa made out as if it were the greatest meal in
history. Or, as in this photo, he could be in total rapture
playing the violin -- poorly.
Lawrence Lessig
When
I was a second year at Harvard Law School I noticed a strange
class
called “The Law of Cyberspace.” It looked weird.
The
course description said, this is not a course about computers;
this is
not about intellectual property; this is about
Cyberlaw.
What on earth is that, I wondered? The professor was an
obscure
visitor from the University of Chicago – no one had heard of him
Lessig
strode into class with his black jeans and small glasses and
pretty
soon I knew my life would never be the same. What a teacher
Larry
was: original, shocking, impossibly charismatic, and
intense. Looking back Lessig's brilliance lay in how he
identified the stakes in what might have otherwise seemed the
routine. He saw in every decision a process that closed
doors.
He had dedicated his life to understanding and challenging
the
strongest thing of all: what is taken for granted.
Taking his
class changed my life, and no surprise, and Larry was certainly my
greatest mentor.
Richard Posner
Dick
Posner taught me mostly how to write and how to think.
I
realise that, before I met him I had only the vaguest inkling of
how
each of these processes worked.
While
Posner is famous as a thinker, for me his aesthetics of writing
were
much more influential. Posner cares about words.
And
perhaps that's why the one think
Dick really did best was listen. He listened to what you had
to say,
and got it, whether or not he did what you wanted. That
listening installed a
confidence that remains.
Dahlia Lithwick
I
credit Dahlia as the editor who taught me the most about
writing. Not always so much by intense feedback, but
rather
by telling me when I was assuming to much; when I wasn't getting
to the
point. I also imitated her, and I owe what parts of my
Slate style to Dahlia's example.
Dahlia
occasionally insert jokes into things I wrote. Inevitably,
friends would identify those jokes as the spirit of my wit.